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Experiment #10

Viewer: Courtney Brown, Session #2

Tasker: John D. Berryman, M.D.

Data: Type 3 (viewer blind and solo)

Target Specific:

Essential Cue:
The Leaning Tower of Pisa, Italy

Numbered Aspects:
1. The Leaning Tower of Pisa / Pisa, Italy (1179)
2. The Leaning Tower of Pisa / Pisa, Italy (1179) - perspective: from 200 feet directly above the Leaning Tower of Pisa
3. The largest chamber within the Leaning Tower of Pisa (8 p.m. GMT, 28 September 1774)

WEBMASTER'S NOTE: This target contains various interesting complexities. 1179 is the year immediately following the first suspension of construction for the Leaning Tower of Pisa due in large part to a war that began in 1178 with Firenze (Florence). In 1179, only three floors had been completed for the Tower, and it took approximately 200 years to complete the project. (Interestingly, it began to lean after only the first three floors were built.) Again in 1179, next to the Tower was (and still is) the Duomo (a huge cathedral) and other notable structures. The target as written contains many of the evolving components of the Leaning Tower of Pisa. The essential cue references just the Tower, which includes its present form, while the first and second aspects address its squatter manifestation as it appeared in 1179. The 1179 year tag is significant since it links the war to the target (since the then frozen state of the Tower is due largely to the war).

Comments: This session is the second conducted by this viewer for this target, and it contains some extraordinary sketches. Page 1 contains a near perfect (for remote viewing) sketch of the Duomo, which is immediately next to the Tower, and page 2 seems to contain information describing the interior of the same structure (see also page 5). The heart of this session is Phase 3. The sketch in Phase 3 is about as perfect a sketch as one can usually get in remote viewing. Here we see the Duomo in the center, and the Tower immediately to the right of this. A similar sketch also appears on page 12. The remainder of the session repeats the same theme of structures in an urban environment. On page 14 the viewer's perspective clearly matches that specified in the second numbered aspect for this target ("above and looking downward at a large collection of primarily vertical structures"). The viewer tries to "push" the session beginning on page 16 to perceive more than just the structures. (It is normally not good to do this, although sometimes it helps.) The "pushing" may be the cause of what appears to be war content that is found at the end of the session. Although this latter content may be connected to the target as per the webmaster's note above.

Note: Some session pages you may want to compare with the picture below.

Source: 1911 Encyclopaedia Britannica

 

Session Pages

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