Viewer: Matthew Pfeiffer
Target Specific:
Essential Cue:
EgyptAir Flight 990/destruction/event (31 October 1999)
Numbered Aspects:
1. EgyptAir Flight 990/destruction/event (31 October 1999)
2. The event or item that causes the destruction of EgyptAir Flight 990
perspective: immediately in front of and facing the event or item
that disables the jet (the moment that the jet is disabled immediately prior
to its fatal descent)
3. EgyptAir Flight 990 as it is breaking up during its descent into the
Atlantic Ocean perspective: as seen from 100 feet directly above
the jet when it begins to break up.
Session Transcript:
Matthew Pfeiffer
3 November 1999
7 pm EST
Richmond, Virginia
Protocols: Basic SRV, Type 3
Target Coordinates: 8723/0497
P1, ideogram No.1
City scene/Atlanta, NY (D)
Vis: a sketch of two tall structures rising, with subjects below
Egypt/Times Square (D)
Subjects walking around/at the bottom of tall structures (D)
Stonehenge (D)
A: semi-hard/soft, natural
B: Subjects
C: many, walking, appear modern? (D), activity, day-to-day (D)
D: sketch of subjects walking at what appears to be an intersection between
several structures
Paris (D), US city (D), streets (D), pavement (D), cars(D), lights (D)
P1, ideogram No. 2
Central subject/Bill Gates (D)
A: soft, natural
B: subject
C: male, older, aged, fat radio talk show host (D)
D: sketch of a subject smiling
Pudgy, happy for some reason (D)
P1, ideogram No. 3
A: semi-hard, natural
B: subject
C: male, female, at a radio station (D), "WKRP in Cincinnati",
70s (D)
D: sketch of subjects walking within a walled environment
Men and women walking around the halls of a radio station (D)
P1, ideogram No. 4
A: soft, natural
B: subjects
C: a specific group familiar with each other/work together, rock band (D),
Duran Duran (D)
D: no-D
P1, ideogram No. 5
A: hard, artificial, office tower/building (D)
B: structure
C: metal, edges, sharp
D: a sketch of some kind of structural component
Inside an elevator shaft; metal support beams (D), my office building (D)
P2
New York Trade Center Bombing/OK City Bombing (D)
Sounds: booming
Textures: rough, smooth
Temps: cool, hot
Visuals:
Colors red, black, blue
Lums bright
Contrasts low
Tastes: pungent
Smells: burning, "sticky"
Magnitudes:
Tall, towering
Wide, long
Open
Churning, energetics
Bombing of a building (D)
VF OK
P3
No-P3
P4
Cool (S), dark (S), burning (C), black (S), sticky (S), molasses target
from Pru (D), blue (S), white (S), whining-sound (S), tall (M), towering
(M), structure (P)
P4 ½ - a tall structure (or structures) is involved here somehow
wide (M), open (M), expanse (M), shimmering (S), Vis: a square with a symbol
showing glare or reflection; like the sun reflecting on a pane of glass
(D), scared (E), angst (E), upset (E), movement (C)
P4 ½ - people are moving quickly, Vis: a sketch of subjects moving
quickly within a structure people running down a flight of stairs (D), escape
(D), fear (E), upset (E), shock (E), horror (E), trade center bombing (D),
subjects (P), people (P), men (P), women (P)
P4 ½ - I am not drawn to any one person in particular at the present,
I just know that men and women are here, in a panic; they are moving quickly
within this building
pyramid (D), Machu Piccu (D), building (P), manmade (C)
P4 ½ - the building is within an urban sprawl
subspace-watching (C)
P4 ½ - subspace is watching with interest
fear (E), fire (C), horror (E), shock (E), upset (E)
P4 ½ - something unexpected - like an accident - has happened and
people are responding quickly
Dianas car crash (D), escape (C), evasion (C), leaving (C)
P4 ½ - people are fleeing the scene quickly
bomb blast (GD), New York City (D), Paris (D)
CUE: from the center of the second numbered aspect, something should be
perceivable
Ideogram
A: soft, natural
B: subject
C: central male, Clinton (D), pudgy, aged, fat man (D), Churchill (D),
bombing of London (D), addressing the nation of Iraq (D)
D: sketch of a subject within a structure
Clinton inside a radio booth addressing the nation (D)
P4
P4 ½ - I seem to be focusing on a central male subject, within a
structure
White House (D), leader (D), Churchill (D), cool (S), dark (S), room (P),
quiet (S), silence (S)
P4 ½ - it is as if those around him are listening intently
Saddam Hussein (D), war (D), tall (M), open (M)
P4 ½ - this man believes he is more right than others; minor ego
P4 ½ - thinking of "the facts"
Male (P), leader (C), expressive (C), fortunate (C), Clinton admitting
affair (D)
P4 ½ - a leader, male, expressing his views
Working (C), Clinton (GD)
CUE: from the center of the third numbered aspect, something should be
perceivable
Ideogram
A: soft, natural
B: no-B, subject? (D), child (D)
C: warm, purple jelly?! (D), blue, open
D: no-D
P4
Cool (S), dark (S), blue (S), TWA 800 (D), water (D), sharp (C), rising
(C), open (M), high (M), Lake Titicaca (D), cool (S), calm (E), peaceful
(E), serene (E), like life after death (D), Titanic sinking (D), cool (S),
deep, (M), DEEP (M), quiet (E), still (E)
P4 ½ - all is quiet and still, a natural state of non-being
Like being at the bottom of the ocean (D)
Vis: a "squared off" area of openness, dense water (D)
Water (P), pressure (C), thick (C)
P4 ½ - a VERY DENSE, THICK environment
P4 ½ - I am at a place where nothing, if anything, lives
Space (D), ocean floor (D)
P4 ½ - it is so quiet here
Sketch "A" a female ghost, pale in color with white eyes
Drowned womans ghost (D), Titanic (D), death (C), dying (C), drowning
(D), loss (C)
End of session 7:50 pm
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