SRV Lesson 13 Transcript

Now that you have had some practice with phases 1, 2, and 3, we are ready to move on to phase 4. Some of the most useful and descriptive remote viewing information is obtained in phase 4. It is impossible, however, to enter phase 4 without first completing phases 1, 2, and 3. Phase 4 only works after a viewer has established strong contact with the target. In phase 4, remote viewers work with a data matrix. Each column of the matrix represents a certain type of data, and viewers probe these columns to obtain data. Phase 4 always begins with a new sheet of paper. The paper is oriented in the landscape position, which is the long side is positioned horizontally. The viewer then puts the page number in the upper right-hand corner and writes capital P4 centered at the top of the page. There are nine columns in the phase 4 matrix. The nine column identifiers of the matrix are written across the page from left to right. The first three columns represent data of the phase 2 variety. The first column represents data relating to the five senses of hearing, touch, sight, taste, and smell. This column is labeled with a capital S. The next column, labeled capital M, represents the phase 2 dimensional magnitudes. The third column, labeled capital V, capital F, represents viewer feelings. The fourth column is not based on any of the earlier phases. It is labeled capital E, which stands for emotionals. Any emotions that the viewer perceives as originating from subjects at the target location are clearly emotionals, but the category of emotionals can include much more. When intense emotions are experienced at a site, individuals commonly perceive these emotions even long after the fact. It is said that General Patton was able to feel intuitively the emotions of battle in an area even if the battle took place centuries earlier. Furthermore, some people feel funny about a site because of something that is to happen there in the future, not in the past. Thus, places vibrate with the emotions of events that have happened or will happen. In the slang of the day, certain places have vibes. For example, if a remote viewer is sent to the location of the Nazi concentration camp of Auschwitz at the current time, the viewer would normally perceive the buildings, the beds, the idea of a museum, and things like that. But the viewer might also perceive the emotions of pain and suffering as related to the site. Some viewers, depending on the flexibility allowed them in the session, would be able to follow the emotions back in time to locate the origin of these feelings. The Emotionals column is placed next to the column for viewer feelings to help the viewers distinguish between these two types of emotionally related data. Viewer feelings are not the same as feelings perceived from a target, and the two should not be confused. The next column describes physical things. These data can include perceptions of people, buildings, chairs, tables, water, sky, air, fog, planets, stars, vehicles, or anything else. The column for physical data is labeled with a capital P. Some things are real, but they are not physical. Remote viewers often perceive non-physical things, such as beings, places, and so on. All of these non-physical things exist in subspace. For example, a person without a physical body is real. Our souls are subspace entities. And when our physical bodies die, we are no longer composite beings with physical and subspace aspects glued together. The subspace realm is at least as complex as physical reality. Basically, remote viewers have perceived that everything that exists in physical reality also seems to exist, plus much more, in the subspace realm. Since remote viewers are using their subspace minds to collect data, it is natural that some of what is perceived will relate to the subspace realm. To differentiate clearly between physical data and subspace data, the subspace column is placed adjacent to the physicals column, and it is identified with the heading SUB. Beginning remote viewers need to practice viewing targets that have a large degree of subspace content or activity in order to become sensitive to subspace perceptions. This normally begins in the first week of a viewer's training, but the exposure is continual, and improvements in the perception of subspace things follows a normal learning curve relating to how often viewers practice. Data entered into the subspace column are exactly analogous to data entered into the physicals column. Subspace things are like physicals, they are just in subspace. If a viewer perceives other data that are subspace-related, but not things, then the viewer places an S in the subspace column, and then enters the data into the correct column at the same horizontal level as the S. This allows the analyst to differentiate between subspace and physical-related data entries that occur throughout the matrix. For example, emotions of subspace beings would be entered in the emotionals column, with an S being placed in the subspace column at the same horizontal level as these emotionals data. The next column is for concepts, and it is labeled with a capital C. Concepts are intangible ideas that describe a target, but they are not the five senses that are recorded in the S column. All of the Phase I primitive and advanced descriptors are concepts, as are ideas such as good, bad, important, insignificant, inspiring, dangerous, safe, haven, work, play, fun, drudgery, adventuristic, enlightening, attack, evolutionary, degraded, supported, healing, altruistic, evil, sinister, saintly, and so on. Notice that these clearly are concepts. They are intangibles, but they are not the same as senses such as hearing, taste, touch, smell, and things like that. Now, the final two columns in the Phase IV matrix correspond to two different types of deductions. The first is called a guided deduction. A guided deduction is identical to a deduction except that the viewer actually probes the matrix in order to obtain a guided deduction. Reasons for doing this I explain later on. The guided deduction column is labeled capital G, capital D. The final column of the Phase IV matrix is the deductions column, and it is labeled with a capital D. To summarize, the nine columns are, in terms of their letters, S, M, VF, E, P, sub-sub, C, GD, and D. Those columns represent senses, magnitudes, viewer feelings, emotionals, physicals, subspace, concepts, guided deductions, deductions. When we begin Phase IV, we write these letters on the top of the Phase IV page. S, M, VF, E, P, sub-sub, C, GD, D. We stretch the letters out across the entire top, and then we draw a long line underneath all of the column headings to separate out the column headings from the data which are below. Now we begin to probe the matrix. To probe the Phase IV matrix, the viewer touches the tip of the pen in the appropriate column. Probing is delicate, and it should be performed with care. The pen should stay in contact with the paper for about a second. It's very much like probing the ideogram in Phase I. When probing the column in Phase IV, the viewer normally perceives some information about the target. And that information is usually, but not always, related to the column heading. If the pen's contact with the paper is too brief, then a sufficiently deep impression of the target will not have been made on the conscious mind. If the contact with the paper is too long, then the viewer risks having the conscious mind interfere with the perception of the target. After you have probed the column by removing the point of the pen from the paper, the viewer mentally searches for a word or a brief phrase that describes the perceived information. This process is referred to as decoding. You are decoding the target perceptions. You are perceiving something, and then you're trying to figure out, what is that? The viewer must decide on this word or phrase quickly, rarely more than three to five seconds after the probe. The viewer then writes this description, usually just one word, in the appropriate column. Again, that column is normally the column in which the viewer is probing, although it can occur that a viewer will probe one column and perceive information that really needs to go in another column, in which case the viewer writes the information in the appropriate column, whichever column that may be. Sometimes the viewer perceives a number of things when probing one column. When this happens, the viewer enters all of these data into their appropriate columns, regardless of the column that was originally probed. For example, all emotional data go in the Emotionals column, even if the emotional data are perceived when probing the Physicals column. When initially working the Phase 4 matrix, probing proceeds from left to right across the matrix, skipping over the Viewer Feeling and the Deduction columns. The viewers do not need to worry about this. You, however, probe the Guided Deduction column. After probing a column, perceiving and writing something about the target, the viewer moves the pen down a bit before probing the next column. This results in a diagonal pattern of entries down the page. Again, this this is because you probe a column, you enter something in that column, then you drop down and move over to the right to probe and enter something into the next column, and then you drop down again and move to the right and probe and enter something into the following column, and so on, producing a diagonally downward pattern from the upper left to the lower right. If a viewer perceives two or more pieces of related data, then the viewer places each of these in their appropriate columns at the same horizontal level, that is, without dropping down. For example, say a viewer perceives a brown structure. The word structure goes in the Physicals column, and the word brown goes in the Senses column, both at the same horizontal level. Placing related words on the same level is essential for interpreting the data after the session is completed. If the viewer drops down a line after writing brown in the Senses column and before writing structure in the Physicals column, then the analyst would not know that it is the structure that is brown, perhaps concluding that something else at the target site is brown. So we keep related data at the same horizontal level in order to avoid such confusions. Also, data data can only be entered in a process called a column, that moves horizontally and down the page, never up. If the viewer at first only perceives a structure, then only the word structure would appear in the Physicals column. However, if the viewer again perceives the same structure later in the session, but this time the color of the structure is also perceived, then the viewer again writes the word structure in the Physicals column, but this time together with the word brown in the Senses column at the same horizontal level. Let's talk now about entering viewer feelings and deductions into the matrix. Viewer feelings are entered into the Phase 4 matrix only when they are felt. Viewer feelings are not data about the target. They are the subjective feelings of the viewer about the target. You only write them in the matrix when you feel them. You never probe the Viewer Feelings column. If undeclared, the viewer feelings will fester in the mind of the target. By declaring the viewer feelings in the matrix, it removes their influence from the data flow. Viewer feelings are entered into the Viewer Feeling column by first writing capital V, capital F, followed by a dash, and then the declaration of the viewer feeling. For example, VF-I feel happy, or VF-This makes me sick. After declaring a viewer feeling by writing VF- and then the declaration of the feeling, you must put your pen down momentarily, the same way you did at the end of Phase 2. Viewer feelings can happen at any point in Phase 4. Typically, viewer feelings manifest after probing either the Emotionals or the Physicals columns. After a viewer feeling occurs and is recorded, the viewer returns to the point of the last probing to continue the data collection process. Deductions are similar to viewer feelings in the sense that they can occur while probing any column in the Phase 4 matrix. Whenever a deduction occurs, the viewer declares the deduction immediately by moving to the Deductions column and writing capital D, followed by a dash, followed by the deduction. As with a viewer feeling, after recording the deduction, the viewer should put the pen down momentarily while the impression on the conscious mind of the deduction dissipates. Guided deductions are exactly the same as deductions, except that they occur when probing the guided deductions column. Remember, a deduction occurs when you're probing any other column. A guided deduction occurs only when probing the guided deductions column. While probing the matrix, the subspace mind knows that pressure is building in the quantity of the target. Knowing this, the subspace mind can often ease the pressure by guiding the deduction out of the conscious mind at the correct time. By probing the guided deductions column, the viewer can rid the mind of the deduction at an early stage in its formation. This helps smooth the flow of the data and minimize the risk of having a developing and as yet undeclared deduction begin to influence the real data. When you write your guided deduction in the guided deduction column, you do not write GD dash in front of the guided deduction. Rather, you simply declare your guided deduction by entering the information into the column, and then you put your pen down after doing that. Again, to to summarize the mechanics a bit, with the viewer feelings and the deductions columns, you perceive viewer feelings and deductions elsewhere in those columns, and you enter information into the viewer feeling and guided deductions column by first putting either a VF dash or a D dash in the columns, and then the viewer feeling or the deduction. But for the guided deduction entries, you enter those only after probing the guided deduction column, and you do not put anything in front of the information such as a GD dash. You simply enter the information itself in the guided deduction column. Mechanically, the thing that is the most similar about all three things, viewer feelings, deductions, and guided deductions, is that you put the pen down after each one of those entries in order to allow the impressions of those things to dissipate from the conscious mind. With regard to the guided deduction, remember that the subspace mind is still in control of the session when a guided deduction is declared. This is not the case with a normal deduction. With a normal deduction, the conscious mind interrupts the flow of the data and inserts a conclusion relating to the meaning of the target or an aspect of the target. The subspace mind has lost control of the session at that point. With a guided deduction, the subspace mind does not lose control because it is guiding the removal of the deduction. Probing the guided deductions column allows this removal to be accomplished easily. Throughout this course, you have heard me talk about high level and low level data. Now we are going to give more of an explanation about the meanings for these terms. One of the most crucial aspects of phase four is differentiating between high and low level data. High level data involve attempts to label or to identify aspects of a target. To the best of our understanding at the current time, in the subspace realm of existence, information is not conveyed through words, but rather through direct knowledge gleaned from visual, sensory, conceptual, emotional, and other impressions. Indeed, this this is the essence of telepathy, direct awareness of another's thoughts. Words are needed in the physical realm in order to convey meaning through speech or writing. If our words convey entire concepts, then we are describing something at a high level of identification. On the other hand, if we describe only the characteristics of what we perceive, we are working at a low level. The difference between high level and low level is best shown through examples. If a target is an ocean shoreline, a remote viewer would likely perceive aspects of the target such as sand, the feeling of sand, wind, water, wetness, salty tastes, waves, the scent of the sand, and the smell of lotions and grass. These are all low level descriptors of the target. High level descriptors would be beach, ocean, shoreline, lakefront, tidal wave, and so on. The problem with high level descriptors is that they are often only partially correct, whereas low level descriptors are often quite accurate. The general rule in phase 4 is to enter all or most high level descriptors in the deductions column, reserving the data columns for the low level data. The general rule in phase 4 is to enter all or most high level descriptors in the deductions column, reserving low level data. In the above example regarding the shoreline, an analyst studying the data would have no trouble identifying the low level aspects as waves and possibly sand dunes. On the other hand, using the high level data that I suggested earlier, the viewer might be tempted to follow a storyline created by the conscious mind of, say, large waves, perhaps leading to a fabricated disaster scenario. Entering high level data in the phase 4 matrix is very risky. People who are new to remote viewing often want to obtain high level data so as to demonstrate that they can identify the target. But new viewers should never try to obtain high level data. You can describe nearly the entire universe using low level data. In short, when we do remote viewing, we want to describe the target, not label or identify the target or its aspects. For example, if the target really is a tidal wave, then the viewer is safer describing a large wave, heavy winds, lots of energetics, destructive force, the concept of disaster, and so on. If the viewer thinks of a tidal wave, that idea can be entered as a deduction even though it exactly identifies the target. You may now proceed to the next lesson.